whose work is shaped by time spent on the road and years lived between places. Having served in the Army as a helicopter pilot, he saw much of the world from above—an experience that informs the way he observes movement, distance, and terrain.

Drawing from late-70s and early-80s influences that he experienced as a younger man, he captures the relationship between rider and machine through memory, control, and quiet observation.

Working from reconstructed moments rather than direct scenes, his compositions reflect what it felt like to move through them—whether in the density of a city or the openness of the desert. The machine is never separate. It’s part of the line, part of the decision, part of the moment itself.