Contact Point No. 01 (Structured) | Contact Point Series by Jon Lee

Contact Point No. 01 (Structured) | Contact Point Series by Jon Lee

Cream / S
$63
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Contact Point No. 01 (Structured) | Contact Point Series by Jon Lee

Contact Point Series

Contact Point No. 01 (Structured) | Contact Point Series by Jon Lee

LIMITED 100 PER COLORWAY

$63
Color: Cream
Size: S

Made to Order • Small Batch Production

Once Retired • Permanently Archived

About the Work

Structured Series - Elevated weight, modern drape, and a more architectural fit.

This piece studies the point of contact—where rider meets machine, where control is felt rather than seen. Cropped tight, nothing extra remains. The weight of the helmet, the angle of the stance, the quiet tension in the hand. It’s not about motion, but what lingers after.

The artist keeps his distance. No statements, no process—only fragments left behind. What matters is the moment itself, held in place long enough to notice.

A close-range composition.
A study in presence.
Nothing more offered.

Product Features

  • Crafted from heavyweight 100% cotton, this tee offers a substantial feel with a relaxed silhouette and clean, structured drape. The heavier fabric gives the garment added presence while maintaining everyday comfort. Finished with durable construction and a soft hand, it is produced in facilities certified for responsible and socially conscious manufacturing. Designed for repeat wear and built to age well.

Care Instructions

  • Wash cold, inside out to preserve the print over time. Use mild detergent. Tumble dry low or hang dry. Do not bleach. Do not dry clean. Do not iron directly on print.

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Contact Po
Contact Point Series

Contact Point Series

by Jon Lee

A study of rider and machine in alignment. As comfortable under pressure, as at ease in stillness; where control becomes instinct.

The Contact Point Series doesn’t follow the ride. It isolates the moments where connection is felt most clearly: under load, at speed, or in the quiet spaces between.

Some frames hold tension. Others carry none at all. The difference isn’t in the machine, but in the relationship. What’s shown here is familiarity, earned over time, held without force. Control that doesn’t need to be asserted, only maintained.

Each piece reduces the scene to a single fragment. Cropped tight. No excess. No narrative beyond what’s already present.

The work doesn’t explain itself. It doesn’t separate rider from machine, or effort from ease. It simply holds the moment as it appears; whether under pressure or completely at rest.

A series built on connection.
A study in control, both applied and released.
Nothing more offered.

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