Contact Point No. 04 (Structured) | Contact Point Series by Jon Lee

Cardinal / S

$63

Contact Point No. 04 (Structured) | Contact Point Series by Jon Lee

Contact Point Series

Contact Point No. 04 (Structured) | Contact Point Series by Jon Lee

LIMITED 100 PER COLORWAY

$63

Color: Cardinal Cardinal Navy

Size: S S M L XL 2XL 3XL 4XL

Made to Order • Small Batch Production

Once Retired • Permanently Archived

About the Work

Structured Series - Elevated weight, modern drape, and a more architectural fit.

This piece studies the moment of suspension where rider and machine leave the ground, but nothing feels uncertain. The motorcycle pitches upward, the body remains composed, and the line continues through the air as if the earth were still beneath it.

There is no hesitation here. Big air only looks effortless when trust is absolute. Every input has been rehearsed, every response understood, until rider and machine move with the same instinct.

Jon Lee isolates the moment without commentary. No crowd, no landing, no outcome. Only the fragment where confidence overrides consequence.

A measured break from gravity.
A study in control carried aloft.
Nothing more offered.

Product Features

Crafted from heavyweight 100% cotton, this tee offers a substantial feel with a relaxed silhouette and clean, structured drape. The heavier fabric gives the garment added presence while maintaining everyday comfort. Finished with durable construction and a soft hand, it is produced in facilities certified for responsible and socially conscious manufacturing. Designed for repeat wear and built to age well.

Care Instructions

Wash cold, inside out to preserve the print over time. Use mild detergent. Tumble dry low or hang dry. Do not bleach. Do not dry clean. Do not iron directly on print.

Contact Po

Contact Point Series

by Jon Lee

A study of rider and machine in alignment. As comfortable under pressure, as at ease in stillness; where control becomes instinct.

The Contact Point Series doesn’t follow the ride. It isolates the moments where connection is felt most clearly: under load, at speed, or in the quiet spaces between.

Some frames hold tension. Others carry none at all. The difference isn’t in the machine, but in the relationship. What’s shown here is familiarity, earned over time, held without force. Control that doesn’t need to be asserted, only maintained.

Each piece reduces the scene to a single fragment. Cropped tight. No excess. No narrative beyond what’s already present.

The work doesn’t explain itself. It doesn’t separate rider from machine, or effort from ease. It simply holds the moment as it appears; whether under pressure or completely at rest.

A series built on connection.
A study in control, both applied and released.
Nothing more offered.